{"id":2665,"date":"2011-05-27T18:12:10","date_gmt":"2011-05-27T17:12:10","guid":{"rendered":"http:\/\/www.markwilson.co.uk\/blog\/?p=2665"},"modified":"2012-08-17T20:34:39","modified_gmt":"2012-08-17T19:34:39","slug":"rating-images-as-part-of-a-digital-workflow","status":"publish","type":"post","link":"https:\/\/www.markwilson.co.uk\/blog\/2011\/05\/rating-images-as-part-of-a-digital-workflow.htm","title":{"rendered":"Rating images as part of a digital workflow"},"content":{"rendered":"<p>Earlier this week, I was at <a href=\"http:\/\/olneycameraclub.co.uk\/\">my local camera club<\/a> meeting and fellow geek <a href=\"http:\/\/haydnlangley.com\/\">Haydn Langley<\/a> was presenting on digital asset management (together with a few technical tips and tricks for photo editing).<\/p>\n<p>One particular &#8220;lightbulb moment&#8221; was when Haydn put up an example of rating images (e.g. in Adobe Bridge or Lightroom). I&#8217;ve never been able to get my head around this because, over time, my idea of what makes a good image changes (as I, hopefully, get better at it). Now I think the key is to adopt a system that works and stick with it &#8211; any rating will be subjective but at least you&#8217;ll be consistent.<\/p>\n<p>Haydn suggested rating images using a system similar to this (based on <a href=\"http:\/\/marcsabatella.blogspot.com\/2010\/03\/concert-photography-post-processing_28.html\">a system proposed by Mark Sabatella<\/a>):<\/p>\n<ul>\n<li>1 star: images that are of no real quality (e.g. out of focus) and won&#8217;t be missed if deleted.<\/li>\n<li>2 stars: acceptable image but not one of the best. Nothing special, but could be kept as a record shot.<\/li>\n<li>3 stars: one of the better images of a subject. A &#8220;keeper&#8221;.<\/li>\n<li>4 stars: one of the best images: worth sharing with others (e.g. on Flickr), or printing large.<\/li>\n<li>5 stars: comparable to pros that we admire. Worthy of competition entry.<\/li>\n<\/ul>\n<p>I might adapt this slightly, but it&#8217;s a good starting point.<\/p>\n<p>He also suggested using colours to indicate where a particular image has reached in the workflow, for example:<\/p>\n<ul>\n<li>Red: stage 1 &#8211; ingested (i.e. imported, renamed, etc.)<\/li>\n<li>Yellow: stage 2 &#8211; global metadata assigned (copyright, etc.)<\/li>\n<li>Green: stage 3 &#8211; survived initial cull<\/li>\n<li>Blue: stage 4 &#8211; post-processed, survived final cull<\/li>\n<li>Purple: stage 5- image-specific metadata assigned (keyword tags for subject\/content\/style, etc.)<\/li>\n<\/ul>\n<p>As I&#8217;m approaching 10000 shots since I bought my D700 2 years ago, I&#8217;ve got some work to do to &#8220;sort everything out&#8221; but this system should help a lot. \u00a0I guess I should also think about renaming images on import rather than storing them as _DSC<em>nnnn<\/em>.NEF!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Earlier this week, I was at my local camera club meeting and fellow geek Haydn Langley was presenting on digital asset management (together with a few technical tips and tricks for photo editing). One particular &#8220;lightbulb moment&#8221; was when Haydn put up an example of rating images (e.g. in Adobe Bridge or Lightroom). I&#8217;ve never &hellip; <a href=\"https:\/\/www.markwilson.co.uk\/blog\/2011\/05\/rating-images-as-part-of-a-digital-workflow.htm\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Rating images as part of a digital workflow<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[152],"tags":[222,223],"class_list":["post-2665","post","type-post","status-publish","format-standard","hentry","category-photography","tag-digital-asset-management","tag-olney-camera-club"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rating images as part of a digital workflow - markwilson.it<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.markwilson.co.uk\/blog\/2011\/05\/rating-images-as-part-of-a-digital-workflow.htm\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rating images as part of a digital workflow - markwilson.it\" \/>\n<meta property=\"og:description\" content=\"Earlier this week, I was at my local camera club meeting and fellow geek Haydn Langley was presenting on digital asset management (together with a few technical tips and tricks for photo editing). One particular &#8220;lightbulb moment&#8221; was when Haydn put up an example of rating images (e.g. in Adobe Bridge or Lightroom). I&#8217;ve never &hellip; Continue reading Rating images as part of a digital workflow\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.markwilson.co.uk\/blog\/2011\/05\/rating-images-as-part-of-a-digital-workflow.htm\" \/>\n<meta property=\"og:site_name\" content=\"markwilson.it\" \/>\n<meta property=\"article:published_time\" content=\"2011-05-27T17:12:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-08-17T19:34:39+00:00\" \/>\n<meta name=\"author\" content=\"Mark Wilson\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@markwilsonit\" \/>\n<meta name=\"twitter:site\" content=\"@markwilsonit\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mark Wilson\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/2011\\\/05\\\/rating-images-as-part-of-a-digital-workflow.htm#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/2011\\\/05\\\/rating-images-as-part-of-a-digital-workflow.htm\"},\"author\":{\"name\":\"Mark Wilson\",\"@id\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/#\\\/schema\\\/person\\\/98f61365e7c39d6be942174b8c4de468\"},\"headline\":\"Rating images as part of a digital workflow\",\"datePublished\":\"2011-05-27T17:12:10+00:00\",\"dateModified\":\"2012-08-17T19:34:39+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/2011\\\/05\\\/rating-images-as-part-of-a-digital-workflow.htm\"},\"wordCount\":338,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/#\\\/schema\\\/person\\\/98f61365e7c39d6be942174b8c4de468\"},\"keywords\":[\"Digital Asset Management\",\"Olney Camera Club\"],\"articleSection\":[\"Photography\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/2011\\\/05\\\/rating-images-as-part-of-a-digital-workflow.htm#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/2011\\\/05\\\/rating-images-as-part-of-a-digital-workflow.htm\",\"url\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/2011\\\/05\\\/rating-images-as-part-of-a-digital-workflow.htm\",\"name\":\"Rating images as part of a digital workflow - markwilson.it\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/#website\"},\"datePublished\":\"2011-05-27T17:12:10+00:00\",\"dateModified\":\"2012-08-17T19:34:39+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/2011\\\/05\\\/rating-images-as-part-of-a-digital-workflow.htm#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/2011\\\/05\\\/rating-images-as-part-of-a-digital-workflow.htm\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/2011\\\/05\\\/rating-images-as-part-of-a-digital-workflow.htm#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Rating images as part of a digital workflow\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/www.markwilson.co.uk\\\/blog\\\/\",\"name\":\"markwilson.it\",\"description\":\"get-info -class technology | write-output &gt; 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Importantly, CHDK makes no modifications to my camera's firmware. The appropriate version for the\u2026","rel":"","context":"In \"Adobe Digital Negative (.DNG)\"","block_context":{"text":"Adobe Digital Negative (.DNG)","link":"https:\/\/www.markwilson.co.uk\/blog\/tag\/dng"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1374,"url":"https:\/\/www.markwilson.co.uk\/blog\/2009\/02\/understanding-how-histograms-are-used-in-digital-photography.htm","url_meta":{"origin":2665,"position":2},"title":"Understanding how histograms are used in digital photography","author":"Mark Wilson","date":"Saturday 28 February 2009","format":false,"excerpt":"The backlog of photography-related posts for this blog is now almost as long as the virtual pile of half-written IT-related ones but I've been meaning to write something about histograms in relation to digital photography ever since Andy Gailer's presentation on working with raw digital camera images at my local\u2026","rel":"","context":"In \"Digital Photography\"","block_context":{"text":"Digital Photography","link":"https:\/\/www.markwilson.co.uk\/blog\/tag\/digital-photography"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1182,"url":"https:\/\/www.markwilson.co.uk\/blog\/2008\/09\/working-with-raw-digital-camera-images.htm","url_meta":{"origin":2665,"position":3},"title":"Working with raw digital camera images","author":"Mark Wilson","date":"Saturday 13 September 2008","format":false,"excerpt":"Recently, I went along to one of the meetings of my local camera club, which is something I've been meaning to do for a while but somehow never got around to. At the meeting, one of the members (Andy Gailer) gave a really interesting presentation on working with raw images.\u2026","rel":"","context":"In \"Adobe Digital Negative (.DNG)\"","block_context":{"text":"Adobe Digital Negative (.DNG)","link":"https:\/\/www.markwilson.co.uk\/blog\/tag\/dng"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1343,"url":"https:\/\/www.markwilson.co.uk\/blog\/2009\/01\/gorilla-like-camera-grip-from-a-flexible-tripod.htm","url_meta":{"origin":2665,"position":4},"title":"Gorilla-like camera grip from a flexible tripod","author":"Mark Wilson","date":"Monday 19 January 2009","format":false,"excerpt":"I've just got home and found that my latest Amazon purchase has arrived... a Joby Gorillapod (Original). If you haven't seen the Gorillapod - it's a small and incredibly lightweight tripod made up of lots of ball and socket joints so it can be twisted into a variety of shapes\u2026","rel":"","context":"In \"Photography\"","block_context":{"text":"Photography","link":"https:\/\/www.markwilson.co.uk\/blog\/tag\/photography"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1071,"url":"https:\/\/www.markwilson.co.uk\/blog\/2008\/05\/more-on-high-iso-levels.htm","url_meta":{"origin":2665,"position":5},"title":"More on high ISO levels","author":"Mark Wilson","date":"Tuesday 13 May 2008","format":false,"excerpt":"Chatting with a freind earlier this evening, I realised that I may have confused things slightly when talking about high ISO levels in my post explaining why not all megapixels are equal. Higher ISO film has traditionally been used to take photographs at a higher speed or in poor lighting\u2026","rel":"","context":"In \"Digital Photography\"","block_context":{"text":"Digital Photography","link":"https:\/\/www.markwilson.co.uk\/blog\/tag\/digital-photography"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.markwilson.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.markwilson.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.markwilson.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.markwilson.co.uk\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.markwilson.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=2665"}],"version-history":[{"count":6,"href":"https:\/\/www.markwilson.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2665\/revisions"}],"predecessor-version":[{"id":2669,"href":"https:\/\/www.markwilson.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2665\/revisions\/2669"}],"wp:attachment":[{"href":"https:\/\/www.markwilson.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=2665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.markwilson.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=2665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.markwilson.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=2665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}